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Bloomington Boogies: The Bloomington Blues and Boogie Woogie Piano Festival is coming in 2015! 

Bloomington Boogies: The Bloomington Blues and Boogie Woogie Piano Festival will feature some of the best blues and boogie woogie pianists in the US and elsewhere, along with professional swing dancers!  You can learn how to dance the Lindy Hop, Boogie Woogie, and other fast swing dance styles before the festival begins, then attend the festival and experience world famous blues and boogie woogie pianists accompanied by a rhythm section, and continue enjoying the music at one of the downtown Bloomington venues where the pianists will perform after the conclusion of the festival program.

Tickets will be available soon.  Time, date and exact locations in Bloomington, IN to be announced.

Major Event Sponsors include   Ivy Tech Community College  and  Carmin Parker P.C. 

Festival Underwriters include     VisitBloomington.com        Downtown Bloomington Inc.        IU Credit Union       Trojan Horse Restaurant & Tavern     
Oliver Winery & Vineyards       Mother Bear's Pizza      Tim and Cheri DeBruicker

Media Sponsor:  WFHB

Additional supporters include    Bloom Magazine     Thomas Gallagher    Indiana Institute on Disability and Community     Griffin Realty 
Royale Hair Parlor LLC     Val Haughton and Frank Motley     World Wide Automotive Service     Jawn and Karen Bauer Family
Newhouse Construction     Michele Brentano     Bill C. Brown Associates      Curry Auto Center      Bob Arnove     Chris Gaal and Dr. Beth Florini     
Rob Stone and Karen Green Stone     Kevin Robling and Jenny Stephens     Tim Henke     Marcy & Michael Wenzler
     Phil Stafford

The festival has been awarded a 2015 Visit Bloomington Tourism Marketing Grant - read about the grant at VisitBloomington.com.

Check back for updates and a list of performers.  For more information contact Craig at 812-334-0415 or craig@craigbrenner.com
 

Live At the Old Mint Reviewed in July 24, 2014 Blues Blast Magazine 

Read the excellent review of Live At The Old Mint by Rex Bartholomew, Los Angeles-based writer and musician whose blog is at http://rexbass.blogspot.com. The entire review is below and also at http://www.bluesblastmagazine.com/craig-brenner-live-at-the-old-mint-album-review/

Craig Brenner - Live at the Old Mint - Self Release - www.craigbrenner.com

14 tracks / 53:15

There is just not enough good boogie-woogie music being recorded anymore, and fortunately the drought has ended with Craig Brenner’s first new album since 2009, Live at the Old Mint.   He has assembled a collection of blues and boogie-woogie tracks from his live shows that will surely lift your mood!  Craig is one of the best-educated pianists around; after attending college in Florida he moved to the Hoosier State in the mid-1970s to study at the Indiana University School of Music and he never left.  Since then, Brenner has studied classical, jazz and boogie-woogie piano with the masters of each genre, and has received multiple grants from the Indiana Arts Commission.  He is serious about his craft, and it shows in his performance.

This certainly is a live album, but this is not just a recording of one show at the Old US Mint in New Orleans (and it really is an old mint, in case you were wondering).   This CD is actually a collection of 14 songs culled from 5 different performances spanning seven years.  Included are 10 songs from two shows at Old US Mint, three more from two shows from Artsgarden in Indianapolis, and a track from a radio show that he and his wife did in 2013.  This set avoids being a hodgepodge thanks to the wonderful job of mixing and mastering done by Jacob Belser of Primary Sound Studios in Bloomington, Indiana – for the most part there is a very consistent sound, feel and flow to the music.

Brenner produced this album himself, and it includes six compositions that he wrote as well as a nice collection of songs that could easily be the final exam for a musician that is seeking a doctorate in blues and boogie-woogie piano.  One of these is the first song in the set, “I Stepped in Quicksand” written by the legendary jazz and blues pianist, Charles Brown.  Craig takes this one on his own, and there is a fun jazz influence on this one that goes well with his thin, yet pleasant, tenor vocals.  The piano sounds clear on this one and there is only a hint of hiss and sibilance, which is to be expected on a live recording of this type.

From there he heads into one of his own compositions, “To Boogie or Not to Boogie,” one of the eight songs on this disc that he recorded with Alfred “Uganda” Roberts on congas.  I would never think of combining congas and hard-hitting piano music, but it works on this straight-up boogie-woogie tune, probably because of the talent behind those drums.  Roberts is a Crescent City native who turned his percussion work into a career that included performing and recording with heavyweight artists that  include Professor Longhair, Allen Toussaint, The Meters, Snooks Eaglin, Gatemouth Brown, Willie Tee and Dr. John.

The covers are all super-cool!  They include gems like “Train Blues”, a faithful rework of Lux Lewis’ “Honky Tonk Train Blues” which has a glorious saloon piano sound.  Or Brenner’s version of Pinetop Smith’s 1928 seminal hit “Pinetop’s Boogie Woogie,” his joyous hammering of Professor Longhair’s “Hey Now Baby,” and the familiar sounds of Jimmy Forrest’s “Night Train.”  But the standout of these has to be “Mess Around,” a song  written by Atlantic Records president and founder Ahmet Ertegun which was one of Ray Charles’ first hits in 1953.  The audience really gets into this song and claps along as Craig hoots the vocals and Roberts keep the beat with his congas.  This must be something to see live, and of course everyone can commiserate that they don’t want their little girl to mess around.

One of the more fun tunes is Brenner’s original “Crawdad Shuffle” that he performed with his significant other, Lori, at the Indiana University Radio-Television Center in Bloomington in 2013.  This instrumental features Mrs. Brenner on a rubboard which is placed far forward in the mix, and Craig almost takes a supporting role to its hypnotic scrapings.  The rubboard and congas are not ordinarily leading instruments, and it is fascinating that Brenner can pair up with these percussion instruments and allow them to shine.

The tunes on this CD go by quickly, and before you know it the final track, “Carolina Shout,” will be coming through your speakers (or headphones).   Recorded at Artsgarden in 2011, this James P. Johnson song from 1921 has no vocals or accompaniment, just Craig showing incredible timing on what has to be one of the most difficult songs to play correctly.  This ragtime song has some jazz influence with a tremendous dynamic range and rhythms that are as tricky as they come.  Craig totally nails it, and it is the perfect way to close out the set.

Live at the Old Mint is a good effort from Craig Brenner and a fine showcase of his piano and songwriting skills.  If you are not a fan of boogie-woogie, do not let this one scare you off.  There is still plenty of blues, ragtime and even jazz to be found on this disc, and you will certainly find something that you like!

Craig invited back to play solo at the Old U. S. Mint during Jazz Fest! 

After his 2013 performance with Alfred Uganda Roberts on April 27, 2013 at the Old U.S. Mint, 400 Esplanade, New Orleans, presented by the New Orleans Jazz National Historical Park, Craig was invited back to play solo on May 3, 2014, his 10th annual performance presented by the Jazz National Park. 

Craig's 2012 and 2013 performances were recorded by Danny Kadar.  If you missed those, you can purchase "Live At The Old Mint: Blues & Boogie Woogie Piano," now available on CD, featuring Alfred Roberts on congas and Lori Brenner on rubboard!

Alfred, a native of New Orleans, has performed and recorded with many of the greats in the history of New Orleans music, including Professor Longhair, Dr. John, the Meters, the Wild Magnolias, Willie Tee, John Mooney, and others.  In 2005 he received the Sidney Bechet Award for Innovation presented by the New Orleans International Music Colloquium. Lori is lead vocalist on "Live to Love" by Craig Brenner & The Crawdads, and also plays accordion and percussion with the band and in a duo with Craig.

Craig selected BEAD "Artist Of the Week" 

The Bloomington Entertainment and Arts District (BEAD) selected Craig as BEAD "Artist Of the Week" for March 21 - 28, 2014!  Learn more about BEAD on Facebook at https://www.facebook.com/bloomingtonentertainmentandartsdistrict

Craig Performs at 2014 Festival International de Boogie Woogie de Laroquebrou 

Craig was invited by festival organizer Jean-Paul Amouroux to join dozens of other musicians and perform at one of the largest boogie woogie festivals in the world in Laroquebrou, France, Aug. 7, 8 & 9, 2014!  See photos by clicking on "Media" above, or watch a video of some of the action here: http://youtu.be/5HxfMFATezI

More details at http://www.boogie-laroquebrou.com/artistes/craig-brenner and http://www.boogie-laroquebrou.com/

Craig releases live CD! 

Craig's first CD since 2009, Live At The Old Mint, is now available.  The CD features Craig playing blues and boogie woogie piano recorded live, including eight tracks with Alfred "Uganda" Roberts on congas recorded at the Old U.S. Mint in New Orleans in April of 2013.  Other tracks feature Craig solo at the Old Mint in 2012 and at the Artsgarden in Indianapolis, and one track with Lori Brenner on rubboard. 

A native of New Orleans, Alfred “Uganda” Roberts is an in-demand percussionist whose relationship with record producer Allen Toussaint led to Roberts becoming house percussionist at Sea Saint Studios.  Roberts played on the Meters’ “Afrika” and “Hey Pocky Way,” on Toussaint's Life, Love, and Faith (1972), and on The Wild Magnolias (1974). In 1972, Roberts was introduced to pianist Henry Roland Byrd, better known as Professor Longhair, at the 2nd annual New Orleans Jazz and Heritage Festival by Jazz Fest producer/founder Quint Davis, and Roberts toured and recorded with Fess for eight years until Fess’ death in 1980. Roberts is featured on Professor Longhair's Rock N Roll Gumbo (1977) with Snooks Eaglin and Clarence “Gatemouth” Brown, and on Fess' last studio album, Crawfish Fiesta (1980). The London Concert (recorded 1978) is a duo performance by Longhair and Roberts. Roberts toured with Willie Tee and the Wild Magnolias from 1980 until 1986, when he took a hiatus from the music industry, occasionally coming out of semi-retirement to tour and record on Dr. John's album Goin' Back to New Orleans (1992), Craig Brenner’s Play It Again, Professor! (1995) and Man At The Piano (1997), and Dr. John’s Dis, Dat, or D’udda (2004).

Primary recording engineers for Live At The Old Mint  were Danny Kadar at the Old U.S. Mint and Jeff Mountjoy at the Artsgarden, with mixing and mastering by Jacob Belser of Primary Sound Studios, and graphic design by Merridee LaMantia.

Live At The Old Mint is available in Bloomington, IN at Landlocked Music - http://www.landlockedmusic.com and in New Orleans at the Louisiana Music Factory.

Read the complete review of Live At The Old Mint by Robert Fontenot in the June issue of OffBeat.
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Craig Wins 2nd Indiana Arts Grant

Craig received his second Individual Artist Program grant from the Indiana Arts Commission for fiscal year 2012 for his project, "High School Jazz Musicians Pay Tribute to New Orleans, the Birthplace of Jazz."  The grant enabled him to arrange "Homage to New Orleans" for performance by students in the Bloomington High School South Jazz Band, and make a recording of the students performing the piece in concert for viewing on YouTube using equipment and software purchased with the grant.  The music will also be available for other high school band programs.
 
BHSS Band Director Robert Dubinski directed the performance by the BHSS Jazz Band in concert on Tuesday, May 2, at 7:30 p.m. in Carmichael Auditorium at Bloomington High School South, Bloomington, IN.  Scroll down to view photos of the band rehearsing and performing "Homage to New Orleans."  Watch a video of the performance on YouTube at http://youtu.be/wl7w2DE_z_k. You can also watch the video with introductory comments by Band Director Robert Dubinski at http://www.youtube.com/watch?v=sAh00zRBvhc.

This activity was made possible, in part, with support from the Indiana Arts Commission and the National Endowment for the Arts, a federal agency.
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